Wednesday, July 31, 2019
Nurse symbolises Essay
In contrast to these three characters, the next characters show the opposition facing the accusations. Firstly I will discuss the protagonist of the play ââ¬â John Proctor, whom I have already mentioned. Proctor is a steady man, in whose presence ââ¬Å"a fool felt his foolishness instantlyâ⬠. He is described as ââ¬Å"a man in his prime, with a quiet confidence, and an unexpressed, hidden forceâ⬠, which reveals his nature to the reader. Despite his affair with Abigail that becomes the source of the accusations, the reader feels sympathy towards him due to his preference of rationality over the supernatural, and his modern quality in his logic and his willingness for a better life for future generations. The Nurses, particularly Rebecca Nurse, are represented as near saints who rely upon practical wisdom and experience. Miller reveals that the Nurses have held a grudge against the Putnams both over land, and also over Putnamââ¬â¢s wanted man in the ministry. Rebecca Nurse symbolises the good in the community although this does not affect Putnamââ¬â¢s motivations and the accusations that are made. The last character is Giles Corey. He is a man who ââ¬Å"didnââ¬â¢t give a hoot for public opinionâ⬠, but is able to oppose Putnam and Parris due to his contentious, and combative manner. Finally, there is the Reverend John Hale, who approaches religious matters with the conviction of a scientist. He holds the belief that they cannot rely upon superstition to solve the girlsââ¬â¢ problems but they may find a supernatural explanation for the events. Although he does not side with anyone, he is wrapped up in the hysteria that has been created, and evokes further paranoia. He shows the essence of the conflict of religion and superstition that is at the foreground in ââ¬ËThe Crucibleââ¬â¢. The First Act of ââ¬ËThe Crucibleââ¬â¢ shows several significant themes that continue during the play. I think that one of the most important themes is the ability for accusations to snowball, gaining pace and involving others that were in the background. An early example of this is the charges against the girls and Tituba. At first they are accused of simply dancing, then of dancing naked. These accusations proceed until Tituba is deemed a witch, and others are accused of Satanism. Another important theme is the shift of blame from one character to another. This is largely due to the minority of people willing to accept the consequences of their actions. The ability of characters to choose whichever position suits their self-interest is encompassed in the First Act largely with Abigail, who uses everything for her own purpose. As I mentioned during my introduction, the play is aptly named ââ¬ËThe Crucibleââ¬â¢, which serves as an instrument in which tensions reach a climax under the cloud of accusations. In Act Three, Danforth refers to the title in saying ââ¬Å"We burn a hot fire here; it melts down all concealmentâ⬠. This is true in the sense that all the motives of the characters are revealed, but these have to be firstly explained, and this occurs in Act One. Miller uses imagery and language to add to the tensions and conflicts encountered in the First Act. He uses double negatives as a way to emphasise and also to set the play in the right period of history. Miller uses such imagery as ââ¬Å"sweated like a stallionâ⬠: an image taken straight from the farm to reflect the themes and set the period. Miller writes that Abigail states that ââ¬Å"Let either of you breath a word â⬠¦ sun go downâ⬠. This quote contains very powerful language and gives a sense of the harshness of the atmosphere that they lived in. After Act One, the accusations spiral out of control with countless others being accused including Elizabeth Proctor, Rebecca Nurse, and John Proctor himself. The mass hysteria reaches a climax with the accused being hanged after refusing to confess to a sin that they did not do. Reverend John Hale sides with Proctor and says that these accusations are not based upon anything, just personal vendettas. In conclusion, Arthur Miller uses the First Act of ââ¬ËThe Crucibleââ¬â¢ as a strong foundation for the mass hysteria and the intensity of the paranoia that follows in the play. The themes of the play need to be sown into the play quickly and effectively so as to ensure the quick rise of tension. The main issue throughout the play of the conflict of religion and superstition is involved straight away and Miller establishes the stem of all the accusations of Abigailââ¬â¢s affair with Proctor quickly, as well as giving an insight into the motivations of the other characters. Miller establishes the characteristics of the Salem community that make it so receptive to the witch hunt and how accusations can ignite fears and panic which can seize a town to such a great extent. ââ¬ËThe Crucibleââ¬â¢, thought of as an allegory to the McCarthyism that gripped America is elaborately constructed to illustrate how fear and hysteria mixed with an atmosphere of persecution may lead to tragically unjust consequences. The seeds of future conflict are intricately sown in the first Act to provide ââ¬ËThe Crucibleââ¬â¢ with a solid base on which the accusations raise the tension and conflict to such extreme heights and where characters are wrapped up in the hysteria that make the play so compelling. All the important themes are encompassed during the first Act, such as the shifting of blame, and the conflicts of characters, that allow the rest of the play to spiral out of all proportions permitting ââ¬ËThe Crucibleââ¬â¢ to be so powerful and utterly riveting.
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